8/7/2023 0 Comments Boss baby ninja scene![]() How do you create the balance between kid-friendly material versus material that adults will pick up on that kids won’t, that still appeals to audiences? TSD: Going off of that, like you said, there are a lot of jokes that cater to both kids and adults, especially parents who bring their children to see this movie. TM: Just the idea that he aspires to have the corner office and personal potty is funny. TM: Being terminated means something different to a 7-year-old kid, all this business slang, to a 7-year-old’s understanding, was something fun to play with. There’s the work-family balance kind of metaphor in there as well, but we just loved the idea that to a 7-year-old kid – There’s also a little bit of subtext in that we bury ourselves in work and sometimes our family is sidelined. TM: And it was an opportunity to do a role reversal, with the baby as the adult in the relationship, and the kid is just a kid. RAN: Well, I think Boss Baby being in a suit really allowed us to kind of skewer corporate culture, but through this little baby. RAN: You asked about the Boss Baby in a suit? We still live in a house with so much sibling rivalry, and so this story is really relatable to me, because I can only hope that over the course of my children’s lifetimes, they go on a journey just like Tim and Boss Baby to love one another, learn what family is, and so that was my connection. I have children, and my first son was seven – just like Tim Templeton – when my second son arrived, and he was really jealous. Ramsey Ann Naito (RAN): Tom and I have known each other for almost 20 years, and when Tom sent me the script about three and a half years ago, my connection was through being a mother. And so in a way for me, it was telling a story that’s more of a love letter, in a way. I connected with this story because as my brother and I got older – in high school we were very competitive – we became very, very close. I was the boss baby of the family, so for me, connecting with the story and developing a story on a larger landscape – that was the experience I had with my brother and my family. I have a brother who’s close to me who’s two years older. When I read Marla Frazee’s book, the story felt really original about this baby in a suit, and it’s really about a metaphor for parenting. You’re always looking for a story that can only be done in animation. Tom McGrath (TM): The book was just great. When you first encountered the original book version of this story, what about this book spoke to you? How did having the baby as a literal boss influence the narrative of this classic “sibling rivalry” story? The Stanford Daily (TSD): This story – the sibling story – is definitely an experience shared by a lot of people and a lot of kids. Naito has produced a plethora of films, including “The SpongeBob Squarepants Movie,” “Jimmy Neutron: Boy Genius” and “Scooby-Doo! The Mystery Begins.” The Stanford Daily had the opportunity to speak with McGrath and Naito about their creative process in “The Boss Baby,” how they drew from their own lives for the film and how the movie spreads a message of love and acceptance. McGrath has worked on animated films for more than 20 years, including writing and directing “Madagascar,” as well as voicing the popular lead penguin Skipper. While “The Boss Baby” flaunts a star-studded cast – including Alec Baldwin, Tobey Maguire, Lisa Kudrow and Jimmy Kimmel – director Tom McGrath and producer Ramsey Ann Naito themselves are seasoned professionals of the film industry. from destabilizing the balance of love in the world by releasing a new breed of adorable puppies that will convince prospective parents to adopt puppies instead of having babies. This child isn’t any ordinary baby – he’s a suit-wearing, executive-level “Boss Baby,” sent to Earth from Baby Corp to stop Puppy Co. ![]() ![]() ![]() The upcoming animated film “The Boss Baby” tells the story of 7-year-old Tim Templeton, a kid whose parents decide to have another child. “The Boss Baby” producer Ramsey Ann Naito and director Tom McGrath ![]()
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